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  • All Posts:

  • A Catalonian Feast-ival
  • Evo performs at Fira Mediterránia de Manresa
  • Els Laietans at the Fira Mediterrània de Manresa
  • Parvathy Das Baul and Lakshman Das Baul at IndiEarth Xchange
  • Groupa at WOMEX 2012
  • Karthick Iyer plays at IndiEarth Xchange
  • The High Lonesome sound of…Albania
  • Lakshman Das Baul sings an Invocation
  • Medieval Songs of Sex, from Catalonia: Els Berros de la Cort
  • Tsuumi Sound System at WOMEX 2012, Thessaloniki
  • The Janusz Prusinowski Trio at WOMEX 2012
  • Gaiteros de San Jacinto at Terraza
  • Selda Bagçan at IstanbuLive 4, Lincoln Center Out of Doors
  • Wonderland performs at IstanbuLive IV, at Lincoln Center’s “Out of Doors”
  • IstanbuLive IV presents The Secret Trio at Lincoln Center Out of Doors
  • Ragnhild Furebotten and Never On A Sunday at the Førde Festival
  • From All Points: Uzbekistan, the Asrlar Sadosi Festival
  • Embroidery techniques in Uzbekistan
  • A Bakhshi in Central Asia
  • Paulette McWilliams Sings at the Jazz Journalists Association Awards Gala
  • Organ Monk plays Monk at the Blue Note
  • A Taste of the Førde Festival, The Musicians of the Nile
  • Harmonia Performs at the Ukrainian Restaurant, NYC
  • Frank London fills me in on the current klezmer scene…
  • Sufi Pop Rocks the Asia Society: Arif Lohar performs “Alif Allah Chambey Di Booti” (edited)
  • East meets Lower East Side: Shanren play mountain music at Pianos.
  • Choro Trio in NYC
  • Skaran plays “Hoppa Kajak”
  • Svetlana Spajic sings an Ode to Nikola Tesla
  • Sweet Swedish Sounds of Irmelin
  • Svetlana Spajic sings “Solitary Song”
  • Ffynnon sings “Ffoles Llantrisant”
  • Oran Etkin and Kelenia at APAP
  • TriBeCaStan: Downtown meets World
  • Setting Kafavi to Music
  • TriBeCaStan plays “Jovanka” a tango
  • Talilema: 2 people can make a LOT of music!
  • Mohammad Reza Mortazavi
  • Ibrahim Maalouf plays “Beirut” (edited) at WOMEX 2011
  • Kiran Ahluwalia sings “Saffar” at Drom
  • Grandfather, Grandson, Grand masters
  • Ambient Music for the Latvian Kokle
  • Ffynnon performs “Hiraeth am Feirion”
  • Siberian showstoppers at WOMEX 2011
  • “Up the Spout” with thanks to Occupy Wall Street
  • Aboubacar “Badian” Diabate: Malian Guitar Master
  • Maria Pomianowska plays the Suka
  • JADU in Samarkand “Kabir’s Song”
  • The Black Earth Boys at Lincoln Center
  • Pistolera -Taking Life by the Teeth
  • Claudia Acuna gives a Chilean Classic a Jazz Infusion
  • The New York Griot Summit at Wave Hill
  • Are the Grammys Racist?
  • The New York Griot Summit: Trio in the Arbor
  • The First Casualty is Always Art
  • Neil Pearlman Finds the Clavé in a Scottish Jig
  • Neil Pearlman plays “Alison House.”
  • An Environmental Experience: Electric Kulintang at The Atrium
  • Brazilliance, Part Two: MPB with Verônica Ferriani and Douglas Lora (Video)
  • Brazilliance, Part One: The Choro Music of Dudu Maia and Douglas Lora
  • Thollem McDonas Plays the Old Reliable Kurtzmann
  • Malika Zarra Takes a Berber Taxi to the Jazz Standard
  • Meklit Hadero: a Diva in the Works
  • “Magla Padnala”
  • Loibner and Mirkovic-DeRo: Two Songs From Winterreise
  • Simon Barker plays a tribute to Kim Seok Chul
  • Yemen Blues performs “Eli”
  • Yemen Blues at Le Poisson Rouge, “Um Min Al Yaman”
  • António Zambujo Sings Some Very Special Fado
  • Daorum at the Atrium, NYC Part 1
  • Steve Riley and the Mamou Playboys at Connolly’s
  • Verônica Ferriani and Douglas Lora Sing One by Chico Buarque
  • Yemen Blues at Le Poisson Rouge: Trape La Verite
  • RAM’s Carnival Spirit
  • Timbila with Poet Bob Holman at Bowery Electric
  • Daorum Part 3
  • Daorum at the Atrium Part 2
  • Natasa Mirkovic-DeRo sings “Noches, Noches”
  • An Interview with Matthias Loibner, Hurdy-Gurdy Virtuoso
  • Sweet Dissonance and Korean Buddhist Chant: Be-Being
  • Timbila Live at Bowery Electric
  • Dance Like an Indian: Red Baraat at The Hiro Ballroom
  • The Seductions of Soukous
  • Have You Heard Huun-Huur-Tu?
  • A Colombian Heritage Transcendent: Lucia Pulido at the Hiro Ballroom
  • Punk Meets World: The Ex
  • Dmitri Vietze hosts a World Music conference at APAP
  • More from Lilian Vieira and Rogério Bicudo
  • A Snowy Night with Warm Music from Brazil
  • A Winter Diversion: The Snow Maiden
  • The Arabic-Anatolian-Balkan Ambiance of Arifa
  • The Artvark Saxophone Quartet Plays a Gospel Song
  • Catrin Finch plays “Watching the Wheat”
  • From WOMEX: The Kids Are Alright…in Wales
  • The Visceral Glory of Home-Made Music: De Temps Antan
  • New York Gypsy Allstars and Selim Sesler at Drom
  • De Temps Antan: Full live performance at WOMEX
  • They Don’t Call Him Papa Wemba For Nothing!
  • Two from the Ploctones
  • From WOMEX: Accordion Meditations of Danças Ocultas
  • A One Man Meditation Band: Wang Li
  • Fun With Fado? Deolinda at Joe’s Pub
  • Barbara Furtuna at St. Peter’s church, NYC
  • Khaira Arby at the Bowery Poetry Club
  • The Diva from Timbuktu
  • The International Body Music Festival
  • Intimate Inuits
  • Garikayi plays with the Mbira inside the Deze
  • The Good News From Zimbabwe: Healing Music of the Mbira
  • Fes Festival, Part 3: Different Drummers
  • Fes Festival Part 2: Taarab Music from Shakila and Rajab Suleiman Trio
  • A Day in the Life of the Fes Festival of World Sacred Music
  • Songs of Scythian Stones: Kyrgyzstan, Ukraine & Rites of Passage
  • Kyrgyzstan, Ukraine & Rites of Passage: Songs of Scythian Stones
  • Jair Oliveira Sings One for the World Cup
  • New York Gypsy Allstars play “Tamer’s 9″ at Drom (Full performance)
  • In and Out of Africa Part 2: Banning, Nora and Timbila
  • Mariachi Meets Tom Waits: The Music of Rana Santacruz
  • Sudanese Elections: Music & the Vote with NasJota and Girifna
  • World Music From the USA: The Cajun Fiddles of David Greely and Joel Savoy
  • Taiwan Journey Part 6: A Meditative Farewell
  • Taiwan Journey Part 5: Pushing the Envelope
  • Taiwan Journey Part 4: Aboriginal Sounds in Taiwan with Inka Mbing and Totem
  • Two Serbian Wedding Songs: Svetlana Spajic Group
  • Garikayi: Tunings and teaching of the mbira
  • Taiwan Journey Part 3: Some Jazz from Sizhukong
  • Yasmin Levy’s Ladino-Flamenco Fusion
  • Taiwan Journey Part 2: Lin Sheng Xiang, The Woody Guthrie of Taiwan?
  • Taiwan Journey Part One: Nanguan music with Wu Hsin-fei
  • Harmen Fraanje Avalonia Trio
  • From WOMEX: The Quebecois of Yves Lambert
  • From WOMEX 2009, a Real Hang
  • Interview with Tanya Tagaq
  • Anatolian Melodies, Pop Sensibilities
  • The Continuing Adventures of Nation Beat
  • Rhythms of Cape Verde, with Lura
  • Tamer Pinarbasi plays the Qanun (Kanun)
  • Julian Kytasty Plays the Bandura, Part One
  • Most Recent Posts:

    Apr
    29

    A Catalonian Feast-ival from Michal Shapiro on Vimeo.

    Located about 50 kilometers from Barcelona, Manresa is a small, laid back Catalonian city. It has its picturesque Old Section as well as an impressive, well-appointed cathedral, and the famous monastery of Montserrat is perched on a nearby rocky mountaintop. But the Fira Mediterránia de Manresa, a four-day celebration and Trade Fair going into its 16th year, stirs the place up and brings the population into the concert halls and out onto the streets to enjoy a meticulously programmed whirlwind of music, cinema, dance, theater and more. The joint gets jumpin’. If you’ve got a trip to Spain planned in November, make sure you include this festival in your itinerary.

    Because the event takes place all over town, it was necessary to pick and choose my coverage and up front I’ll tell you that what I have captured in my video is only a small slice of it. In particular, I did not cover the imported acts, because I was curious about the local Catalan culture specifically, and fine as these other artists were, I felt they would divert me from my focus. I’ll always regret not catching Hermanos Cuberos, who according to the festival book combine music from the Alcarra region of Spain with bluegrass! And there were many fine Catalan acts that I did not even get around to seeing.

    And I also have to say a word about the food. It was everywhere, and if you knew where to go, (and could deal with the siesta closings) it was excellent. I brought back 2 bags of little dried local mushrooms which I am still using slowly, when the dish calls for their distinctive taste and texture. They are tiny treasures.

    I was fortunate to be staying at the same hotel as Dave Ellwand who has researched and written about Catalan food, music and mores. Our conversations over breakfast were informative and tantalizing, so I simply had to include him at some point in the video; credit where credit is due. He has provided some links to further information and events below. And because this video is a quick survey, here are links to full songs.

    To see the full song by Evo, go to: http://inter-muse.com/blog/2013/04/16/evo-performs-at-fira-mediterrania-de-manresa/

    To see a (different) full song by Els Berros de la Cort go to: http://inter-muse.com/blog/2013/01/11/medieval-songs-of-sex-from-catalonia-els-berros-de-la-cort/

    For full performance of “Waka Waka” by Els Laietans go to: http://inter-muse.com/blog/2013/03/16/els-laietans-at-the-fira-mediterrania-de-manresa/

    For more information about the festival visit: http://en.wikipedia.org/wiki/Fira_Mediterrania_in_Manresa

    For an archived radio programme about the previous year’s festival: http://www.prx.org/pieces/85507-mediterrania-taste-of-the-music-of-people-of-ca

    CAT centre has an annual festival of Catalan/Valencian/Balearic/Basque performances from January to April as well as year-round music teaching and summer schools.* Information about all festivals is easiest to get on http://www.catalanarts.cat/web/?q=en

    Apr
    16

    Evo at Manresa from Michal Shapiro on Vimeo.

    The Cathedral “La Seu” in Manresa was the venue for some lovely performances over the course of the festival. This one was particularly good, although I found the acoustics to be problematic. Sometimes you want that massive church echo (great for Gregorian chant); but sometimes it turns the music to mush. Even as I was shooting, I was wondering if the audio track was going to be usable. As it turned out, it wasn’t. So I was thrilled when the leader of the group, Efrén López sent me a recording that was made from the performance, and while it still had a goodly amount of reverb, it had decent separation of the sounds.

    The group is made up of: Efrén López Sanz, Miriam Encinas Laffitte, Laia Puig Olives, Iván López Sanz, and for this performance, Pau Marcos. The song is “De la iensor qu’om vey” by Berenguer de Palou, a 12th century troubadour also known as Berenguier de Palazol or Palol. However you spell the name, the man could write a great melody, and although I do not speak Catalan (and don’t even try a computer translation, it is NOT going to work) I suspect the lyrics are equally eloquent. It is a song of unrequited love, and part of a series of songs the troubadour wrote on the subject of courtship. The arrangement is by Efrén López.

    Here are the medieval Catalan lyrics (translation is welcome!):

    De la iensor qu’om vey, al mieu semblan,
    On nueg e jorn velh e pens e cossir,
    Mi vurlh lunhar, si·l cor mi vol seguir,
    Ab tal acort que mais no·l torn denan,
    Quar longamen m’a tengut deziron
    Ab belh semblan, mas tan dur me respon
    Qu’anc jorn no·m volc precx ni demans sofrir
    Ai! belhna dona, ab belh cors benestan,
    De bel semblan e de gent aculhir,
    A penas sai de vos mo mielhs chauzir,
    Si·us vey o no, o si·m torn, o si m’an:
    Non ai saber ni sen que mi aon:
    Tan suy intratz en vostr’amor prion,
    Qu’ieu non conosc per on m’en puesca essir.
    Pero, dona, si·us vis cor ni talan
    Que·m denhessetz l’amor qu’ie·us ai grazir,
    So es us mals don no vogra guerir;
    Mas, pus no·us plai, al ver Dieu vos coman;
    De vos mi tuelh, e non ab cor volon,
    Quar res ses vos no·m pot far jauzion;
    Vejatz si·m puesc ab gaug de vos partir!
    Senher Bernart, no·ns part ren viu del mon,
    Mas la belha que·m destrenh e·m confon
    Tem que·m fassa per mort de vos partir.

    For more information about the festival visit: http://www.firamediterrania.cat/en
    For more information about Evo, visit: http://www.myspace.com/evomedievalmusic

    Mar
    16

    Els Laietans at the Fira Mediterrània de Manresa from Michal Shapiro on Vimeo.

    My first night at the festival I was told that if I wanted to hear the real down home Catalan music, the place to be was the Taverna, a tent performance space in the center of town. Throughout the festival that held true, but the first night deviated in that there was a competition of four young local bands. There was a jazz ensemble, a folk big band, an a capella group all performing traditionally based music, and ……this, which sent me spiraling into a Catalan Twilight Zone. In a good way. The shawm-like instruments being played are gralles (pronounced GRAI-yas) and they are most closely associated with that other unique Catalan pursuit, the building of human pyramids. Yes, when they build one of those there is always gralle music. But I doubt that it’s ever “Waka Waka.”
    Anyway, these guys are absolute charmers, and they won the contest. I think they should be playing at every soccer game half time in Spain.
    Apology:
    The sound of the drum was so loud that it shook the floor. That’s why frequently the camera loses focus, as the monopod and tripod reacted to the floor vibrations. Nothing I could do about it…..(that and the spotlights also drove me mad, but hey, that’s guerilla vlogging for ya.)


    Welcome: Here’s where you’ll find my weekly original world music video blogs that appear on Huffington Post, as well as an archive starting in April of 2009. This is also the place where you will find video that is exclusive to my site. I’ve traveled to places like Uzbekistan, Morocco, and Taiwan and no matter where I go I have found amazingly talented and creative people working in every genre from the deepest traditions to the cutting edge. It’s been incredibly rewarding to interview them and to capture some of what they do on video. Enjoy what you see and hear, and let me know what you think. I welcome your feedback.
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