Posts Tagged ‘Jazz’
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Although we associate Victor Jara with the protest songs of the Nuevo Cancion movement that arose in Chile in the 1970’s, “Cigaritto” does not make any overt political statement. It is instead a gentle song that is simply sung from the vantage point of a field worker on a tobacco plantation.
Claudia Acuña is a jazz singer from Chile, and here she and her band have created a setting that not only preserves the spirit of the song, but enhances the melody with nuanced chord progressions and a different meter. It’s a sensitive, loving interpretation.
To compare renditions, see Jara’s here.
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Last year I attended the Dutch Jazz and World Meeting (DJWM) in Amsterdam. The event was beautifully organized, with a trade fair during the day, and performances at the clubs Melkweg, Sugar Factory and the imposing Bimhuis at night. Business interaction was lively throughout; at the fair, at the shows, at dinners and at after-hours jams, when players, promoters, presenters and press schmoozed till the wee hours. The music was top notch, I learned a lot, and I got several great vlogs out of it.*
The event was organized by the MCN (Muziek Centrum Nederland), and I was so impressed with how naturally they combined art with business, that I grabbed a Flip camera, walked past several canals and up icy streets to check the multi-level Centrum out myself. In my tour of the facility, I was again struck with the kind of pragmatic support the Centrum gives to musicians. Unlike here, it’s not just about grants: Want your band to tour in another country? The MCN will give you contact information. Want to write for the screen? The MCN gives courses. There is an extensive archive that houses recordings and memorabilia, and a music publishing arm. In its accessibility it is a far cry from the labyrinthine institutions here in the USA and I walked out of there thinking how much more enlightened the Dutch government was to maintain this wonderfully functional cultural bastion. I shot video of the people and the place, but wondered if I’d ever have a reason to use it.
Now, unfortunately, I do. Just the other day I got the news that the Centrum is in danger of losing all its funding, due to an new government that evidently does not consider culture to be worth supporting. I’ve seen too many great cultural organizations and programs go down the tubes during economic hard times here and abroad. And I certainly know what it’s like to try to make any kind of art with no support system. The MCN is a beautiful institution that serves the people of the Netherlands well; both the artists and the audiences world wide and at home. It should continue to do so. Think about all that will be lost when you watch the video. And if you feel like it, go to their website and sign the petition to support them. Do it right away, the deadline is June 20th, so this is truly the 11th hour. Don’t let the MCN be the tree that falls in the forest….let’s let them know we are there, listening.
Here in the USA parents dread their children becoming musicians or artists of any kind because the chances of “success” are so slim. That attitude persists because we don’t accept the legitimacy of the calling and respect it properly. But in Europe this attitude is nowhere near as pervasive.….yet.
Here’s my rant: Art enriches every aspect of our lives, particularly when we are going through hard times. We are fundamentally poorer without it. It’s a fact that it promotes creative thinking, and if anyone says we need the math and the science skills to stay competitive, I reply that a practical society encourages creative, artistic thought because that’s where the great breakthroughs come from. And these are the breakthroughs that ultimately lift a society up both intellectually and economically.
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Malika Zarra has had to negotiate the world of her heritage (Morocco) and the world she has found herself in (Europe, the USA) and has emerged with a strong musical identity that combines the structures of jazz with songs that come from her North African heart. She brought the music of her latest release “Berber Taxi” on Motema Records to the intimate NY club, the Jazz Standard, and from my perch on a bar stool, above the audience -and the waiters delivering slabs of barbecue- I caught the title track on video.
Zarra has a warm and caressing presence, and she introduced this traditional song that she learned from her mother by telling of how in remote villages, sometimes one hopes that a taxi will come from far away, bringing love. But the song also operates as a metaphor for Zarra’s own inner journey through Morocco, France and New York City. She grew up listening to traditional music in her home, but was introduced to jazz after the family moved to France, where her formal musical studies began. Throughout the evening, the cadences of Arabic and Berber dialects sat easily within the sophisticated arrangements, as did the modalities of the melodies. By the end of her set, the audience was thoroughly entranced.
Musicians in the top-notch band that night, were Jean-Christophe Maillard on guitar, Etienne Stadwijk on piano, Mamadou Ba on bass, Harvey Wirht on drums, and Brahim Fribgane on oud and percussion.
I also liked the room. The Jazz Standard has a welcoming feel, and I found myself chatting with a very interesting couple who live on a boat, and make it a point to come to the club whenever they are in town. But when the music began, cell phones were off, and ears were turned on, giving complete attention to the music.
For more information about Ms. Zarra’s upcoming performances, visit www.malikazarra.com
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